What we flagged
View all categoriesOur take
Glen Powell plays a disowned heir murdering wealthy relatives to reclaim his birthright in a stylized eat-the-rich satire. Rated M. Expect multiple killings, black comedy, strong language and tonal swings between charm and violence. Not for kids despite the playful title.
Story (may spoil tone)
Disowned at birth by his obscenely wealthy family, blue-collar Becket Redfellow will stop at nothing to reclaim his inheritance, no matter how many relatives stand in his way.
What we flagged
Details
Violence Multiple murders and staged accidents drive the inheritance scheme
Multiple murders and staged accidents drive the inheritance scheme
Language Frequent strong profanity during scheming, confrontations and quips
Frequent strong profanity during scheming, confrontations and quips
Sex / nudity Flirting and suggestive moments, though not the primary focus
Flirting and suggestive moments, though not the primary focus
Drugs / alcohol Wealthy-party drinking and casual substance references appear
Wealthy-party drinking and casual substance references appear
Frightening Tension builds around the killings, though the tone stays satirical mor…
Tension builds around the killings, though the tone stays satirical more than horror
Self-harm / suicide A suicide reference may surface as part of a murder plot device
A suicide reference may surface as part of a murder plot device
Gore / death / weapons Death scenes often cut away, and blood appears without sustained graphi…
Death scenes often cut away, and blood appears without sustained graphic injury
Dangerous behaviour Detailed murder planning can read as clever rather than condemned
Detailed murder planning can read as clever rather than condemned
Grief / bereavement Family deaths work as plot mechanics rather than an emotional focus
Family deaths work as plot mechanics rather than an emotional focus
Flashing lights We have not confirmed whether this version contains flashing lights.
We have not confirmed whether this version contains flashing lights.
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Talk after watching
- Becket targets family for money. Where does satire end and glamorizing crime begin?
- The film riffs on classic inheritance thrillers. What makes dark comedy feel acceptable on screen?
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